陳 昱 榮 Chen, Yu-Jung
陳昱榮,1989年生於臺南。畢業於國立交通大學音樂研究 所創作組,現就讀於國立臺南藝術大學藝術創作理論研究所 博士班。他的作品類型主要聚焦於當代作曲、實驗即興與混 合媒體裝置的實踐創作。近期的作品大都聚焦於空間、個人 情感以及心理經驗的交互關係。目前,他關注的焦點是與空 間中的視覺和聲音的交互轉換。他的作品經常包括現成的物 品,並通過收集和分析大量的資料,作為創作材料分析的基 礎。過去曾入選第十屆臺南新藝獎、臺北國際藝術村文化平 權駐村計畫、總爺藝文中心、礦山藝術季、馬祖藝術游擊計 畫、韓國蔚山國際當代藝術計畫聯展、韓國TEMI藝術村、韓國大邱加昌工作室、嘉義鐵道藝術村、荷蘭ARE藝術家駐村計畫、亞洲紐西蘭基金會(紐西蘭)駐村計畫,並於2016年與島生棲所合作入選國際南島美術獎。
Born in Tainan, 1989. Chen Yu-jung earned a MFA degree in Institute of Music, National Chiao Tung University. Now he enrolled Ph.D. in Art Creation and Theory from Tainan National University of Art. His type of artworks mainly focus on the contemporary composition, experimental improvisation, and mixed media installations. Most of Chen’s recent artworks spring from the space, individual emtion and the psychological experiences involved in such. Currently, his focus is on the interaction of visual and sound associated with space. His artworks often include ready-made objects, which become part of a self-emotional narrative. In the process of developing works, he used a lot of materials through the collection and analysis as a basis for the concept of creation. He was selected from The 10th NEXT ART TAINAN Prize, Taipei Art Village Project, Tsung-Yeh Arts and Cultural Center, Mine Art Festival, Mazu Art Residency, ICAPU group show (South Korea), TEMI Art Residency(South Korea), Gachang Art Studio Residency(South Korea), Chiayi Railway Art Village Residency, ARE Residency(Netherlands), New Zealand Asia Fundation Art Residency(New Zealand), and 2016 Austronesian International Arts Award (cooperated with Biofication Studio).
Born in Tainan, 1989. Chen Yu-jung earned a MFA degree in Institute of Music, National Chiao Tung University. Now he enrolled Ph.D. in Art Creation and Theory from Tainan National University of Art. His type of artworks mainly focus on the contemporary composition, experimental improvisation, and mixed media installations. Most of Chen’s recent artworks spring from the space, individual emtion and the psychological experiences involved in such. Currently, his focus is on the interaction of visual and sound associated with space. His artworks often include ready-made objects, which become part of a self-emotional narrative. In the process of developing works, he used a lot of materials through the collection and analysis as a basis for the concept of creation. He was selected from The 10th NEXT ART TAINAN Prize, Taipei Art Village Project, Tsung-Yeh Arts and Cultural Center, Mine Art Festival, Mazu Art Residency, ICAPU group show (South Korea), TEMI Art Residency(South Korea), Gachang Art Studio Residency(South Korea), Chiayi Railway Art Village Residency, ARE Residency(Netherlands), New Zealand Asia Fundation Art Residency(New Zealand), and 2016 Austronesian International Arts Award (cooperated with Biofication Studio).
作品 Works
《訊流-II》鐵、步進馬達、音叉、鋁、壓克力、Arduino、五吋主動式喇叭(四聲道),尺寸視場地而定,2022
The Flow of Information II, Iron, stepping motor, tuning fork, aluminum, acrylic, Arduino, five-inch active horn (4 channels), Dimensions variable, 2022
以30組音叉裝置透過機械動力馬達控制敲擊的時間,並透過現場的四聲道聲音,將音叉敲擊所錄製的聲音以回授(feedback)的方式進行聲音的處理,透過環繞式的四聲道聲景處理與現場敲擊音叉的延音所產生的泛音形成共鳴,在空間中進行反覆疊加的聽覺體驗。如同訊號的流動,作品希望透過聲音相位的改變與流動,讓聽覺感知在聆聽的過程中被放大,以共振聲響的概念串聯作品在聽覺上的思考。
30 sets of tuning fork devices are used in this work to control the striking time through the mechanical power motor, and the sound recorded is processed by feedback, which is through the setting of the four-channel surround sound scene, it resonates with the overtone generated by "the sustained sound of the tuning fork on the spot", and carries out the auditory experience of repeated superposition in space. Such as the flow of signals, the work hopes that through the change and flow of sound phase, the auditory perception will be amplified in the process of listening, and the concept of resonance sound will be used to connect the work’s auditory thinking.