謝 奉 珍 Hsieh, Feng-Chen
謝奉珍是一位以聲音為主要創作媒材的藝術家。1987年出生 於台灣高雄,2014年畢業於國立台南藝術大學造形藝術研究 所,2009年畢業於國立高雄師範大學美術學系。參與現場表 演、聲音裝置、聲音影像間的關係實驗、田野錄音等,目前 關注方向為人-人-環境-時空間的相互牽連變化上。她大 部分的聲音裝置作品為現地製作,從2012年開始發表〈空間 刺探機〉系列聲音裝置作品創作計畫,以不同的展覽空間特 性為聲音創作的概念。在聲音表演上,她會透過日常的聲音 採集,組合成不同的聲音片段,在現場表演時會依據現場的 氣氛運用聲音的表現來做回應,並嘗試與觀眾互動。
Most of her works were shown in the medium of sound. She has taken parts in live performances, sound installations, experiment with the relationship between sound and visual, and field recordings, etc. Now she is concerning about the relationship between person-person-envirernment-time and site. Most of her sound installation works were shown by site-specific. Since 2012, she has published the "Space Spy Machine" series of sound installation project, using different exhibition space characteristics as the concept of her sound creation. During the live performance, she uses field recordings gathered from everyday lives to form various sound sections, and performs and responds to the atmosphere of the live events. She has also tried to interact with audience members.
Most of her works were shown in the medium of sound. She has taken parts in live performances, sound installations, experiment with the relationship between sound and visual, and field recordings, etc. Now she is concerning about the relationship between person-person-envirernment-time and site. Most of her sound installation works were shown by site-specific. Since 2012, she has published the "Space Spy Machine" series of sound installation project, using different exhibition space characteristics as the concept of her sound creation. During the live performance, she uses field recordings gathered from everyday lives to form various sound sections, and performs and responds to the atmosphere of the live events. She has also tried to interact with audience members.
作品 Works
《空間刺探十二號機》四~五聲道聲音裝置,尺寸視場地而定,2022
Space Prying Machine No.12, 4-5 channel sound installation, Dimensions variable,2022
在作品展示的空間中,具有約2秒以內的聲音殘響的聲學結構特質。我運用此空間中的聲音特性,與周遭環境中所錄到的聲音做結合。而空間周遭的溪流成為我錄音的對象,我錄製了不同狀態的水聲以及周遭環境的聲音。透過不同的錄音設備:如自製接觸式水下麥克風、不同收音範圍的指向型麥克風,以及其他特製麥克風進行收音;透過不同的收音設備,將水的聲音錄製成殘破的、清晰的、流動的、阻塞的、綿延的....等聲音質地與頻率。在作品的呈現上,我將會運用不同的喇叭、單體結構於空間中進行測試。在空間中聲音殘響消逝之即,又以其他聲音接續承啟,營造出在類四方的空間中凝結、旋轉、流動、交疊之聲音現象,有如夢境般的聲音幻覺。
In the space where the work is displayed, I use the sound characteristics of acoustic structure with residual sound within about 2 seconds in this space to combine with the sounds recorded in the surrounding environment. The stream around the space became the object of my recording, and I recorded the sound of water in different states and the sound of the surrounding environment. Through different recording equipment: such as self-made contact underwater microphones, pointing microphones with different receiving ranges, and other special microphones; Plus, different radio equipment, the sound of water is recorded into broken, clear, flowing, blocked and continuous sound textures and frequencies. In the presentation of the works, I will use different speakers and single structures to test them in space. It is connected with other sounds when the residual sound in space disappears, creating a dreamy sound phenomenon that condenses, rotates, flows and overlaps in a square-like space.
Space Prying Machine No.12, 4-5 channel sound installation, Dimensions variable,2022
在作品展示的空間中,具有約2秒以內的聲音殘響的聲學結構特質。我運用此空間中的聲音特性,與周遭環境中所錄到的聲音做結合。而空間周遭的溪流成為我錄音的對象,我錄製了不同狀態的水聲以及周遭環境的聲音。透過不同的錄音設備:如自製接觸式水下麥克風、不同收音範圍的指向型麥克風,以及其他特製麥克風進行收音;透過不同的收音設備,將水的聲音錄製成殘破的、清晰的、流動的、阻塞的、綿延的....等聲音質地與頻率。在作品的呈現上,我將會運用不同的喇叭、單體結構於空間中進行測試。在空間中聲音殘響消逝之即,又以其他聲音接續承啟,營造出在類四方的空間中凝結、旋轉、流動、交疊之聲音現象,有如夢境般的聲音幻覺。
In the space where the work is displayed, I use the sound characteristics of acoustic structure with residual sound within about 2 seconds in this space to combine with the sounds recorded in the surrounding environment. The stream around the space became the object of my recording, and I recorded the sound of water in different states and the sound of the surrounding environment. Through different recording equipment: such as self-made contact underwater microphones, pointing microphones with different receiving ranges, and other special microphones; Plus, different radio equipment, the sound of water is recorded into broken, clear, flowing, blocked and continuous sound textures and frequencies. In the presentation of the works, I will use different speakers and single structures to test them in space. It is connected with other sounds when the residual sound in space disappears, creating a dreamy sound phenomenon that condenses, rotates, flows and overlaps in a square-like space.