羅 景 中 Luo, Jing-Zhong
羅景中長期投入於藝術創作與藝術教育,策劃多次當代藝術 大展及雙年展,近年藉由工作推動趨勢創造方案,亦著力於 藝術城市與聚落化生態之建造與整合;現今仍持續於多元創 作形式,並在現實生活中尋找一些簡練意象對應於大自然, 以概念化的形象做為造形元素,作品當中常附帶或精緻、或 遊戲般的手工操作趣味,其裝置在場所中經常再造一種刻意 佈局的景觀,引發閱讀。
Luo, Jing-Zhong has been engaged in artistic creation and education for a long time, and has planned many contemporary art exhibitions and biennials. In recent years, he promoted the trend creation scheme, and also devoted himself to the construction and integration of art city and settlement ecology. He continues to create in multiple forms, and seeks for concise images corresponding to nature in real life, which takes the conceptual image as the sculpting element. His works are often accompanied by exquisite or game-like manual operation interests, the installations often recreate a deliberately laid-out landscape in places, which leads to reading.
Luo, Jing-Zhong has been engaged in artistic creation and education for a long time, and has planned many contemporary art exhibitions and biennials. In recent years, he promoted the trend creation scheme, and also devoted himself to the construction and integration of art city and settlement ecology. He continues to create in multiple forms, and seeks for concise images corresponding to nature in real life, which takes the conceptual image as the sculpting element. His works are often accompanied by exquisite or game-like manual operation interests, the installations often recreate a deliberately laid-out landscape in places, which leads to reading.
作品 Works
臺藝大聲響藝術實驗中心
Center for Sound Arts and Acoustics Research
《敲擊—細碎的回音》不鏽鋼管懸吊裝置、聲音接收器、螢幕,402.6cm x 498.8cm x 544cm,2022
Percussion-Fragile Echo, Stainless steel pipe suspension device, sound receiver, screen, 402.6cm x 498.8cm x 544cm, 2022
音樂可創造聲音場域,造形藝術同樣也常在特定場所中製造出各種裝置物件、物體讓參與者的感官漫遊其中,並獲得對某物、某事想像的最大能力之拓延。此件作品有幾個活潑生動的元素,一個是與觀眾互動的聲響裝置產生的聽覺迴盪,一個聲音轉換為視覺圖示,將聽覺感受的非物質性轉換於視覺與接觸之中。
Music can create sound field, and plastic arts also often create various installations and objects in specific places, so that participants' senses can roam among them and gain the extension of their maximum ability to imagine something. This work has several lively elements, one is the auditory reverberation produced by the sound device interacting with the audience, another is the transformation of sound into visual icon, which transforms the immateriality of auditory feeling into vision and contact.
Center for Sound Arts and Acoustics Research
《敲擊—細碎的回音》不鏽鋼管懸吊裝置、聲音接收器、螢幕,402.6cm x 498.8cm x 544cm,2022
Percussion-Fragile Echo, Stainless steel pipe suspension device, sound receiver, screen, 402.6cm x 498.8cm x 544cm, 2022
音樂可創造聲音場域,造形藝術同樣也常在特定場所中製造出各種裝置物件、物體讓參與者的感官漫遊其中,並獲得對某物、某事想像的最大能力之拓延。此件作品有幾個活潑生動的元素,一個是與觀眾互動的聲響裝置產生的聽覺迴盪,一個聲音轉換為視覺圖示,將聽覺感受的非物質性轉換於視覺與接觸之中。
Music can create sound field, and plastic arts also often create various installations and objects in specific places, so that participants' senses can roam among them and gain the extension of their maximum ability to imagine something. This work has several lively elements, one is the auditory reverberation produced by the sound device interacting with the audience, another is the transformation of sound into visual icon, which transforms the immateriality of auditory feeling into vision and contact.