姚 仲 涵 Yao, Chung-Han
姚仲涵,藝術家 / 音樂創作者 / DJ / 實踐大學建築設計學系 副教授。創作是姚仲涵生活的一部分,從看似壞掉的日光燈 到富有生命力的燈光、從解構的聲音藝術到結構性的音樂製 作、從鏡框式作品到空間尺度的思考......透過光與聲音之間的 呼應和對比,觸發觀者對自身體感的想像。 2005年開始從事聲響創作,獲臺北數位藝術節聲音藝術首獎 (2008)、臺北美術獎優選(2017),並多次受邀參與國際展覽 與演出:日本「福岡亞洲藝術三年展」(2009)、東京「NTT ICC-Emergencies!014」(2010)、洛杉磯「Long Beach Museum of Art - Beyond the Frame」(2016)、臺北市立美術館「物·理」(2016)….等。
YAO Chung-Han, Artist / Music Composer / DJ / Associate Professor at Department of Architecture of Shih Chien University. Creation is part of YAO Chung-Han's life, from the seemingly broken fluorescent lamps to the vibrant light; From the deconstructed sound art composing to the dance music production; From the framed works to the reflect on the spacial scale... He employs the corresponding and contrasting relations of light and sound trigger viewers’ imagination of physical senses. YAO has won the First Prize in Sound Art in Digital Art Festival Taipei, Honourable Mention in Taipei Art Awards, and has participated in Fukuoka Asian Art Triennale(Fukuoka), NTT ICC-Emergencies!014(Tokyo), STEIM - Massive Light Boner(Amsterdam), City Sonic: International Sound Art(s) Festival (Belgium), Long Beach Museum of Art - Beyond the Fram: New Median Arts from Taiwan (LA), and The Way Things Go at the Taipei Fine Arts Museum.
YAO Chung-Han, Artist / Music Composer / DJ / Associate Professor at Department of Architecture of Shih Chien University. Creation is part of YAO Chung-Han's life, from the seemingly broken fluorescent lamps to the vibrant light; From the deconstructed sound art composing to the dance music production; From the framed works to the reflect on the spacial scale... He employs the corresponding and contrasting relations of light and sound trigger viewers’ imagination of physical senses. YAO has won the First Prize in Sound Art in Digital Art Festival Taipei, Honourable Mention in Taipei Art Awards, and has participated in Fukuoka Asian Art Triennale(Fukuoka), NTT ICC-Emergencies!014(Tokyo), STEIM - Massive Light Boner(Amsterdam), City Sonic: International Sound Art(s) Festival (Belgium), Long Beach Museum of Art - Beyond the Fram: New Median Arts from Taiwan (LA), and The Way Things Go at the Taipei Fine Arts Museum.
作品 Works
《Kick#1 – 電磁鐵》電磁鐵、金屬、電子設備,88 x 12 x 20公分,2021
Kick #1- Electromagnet, Electromagnet, metal, electronic equipment, 88 x 12 x 20 cm, 2021
作品使用了電磁鐵,電磁鐵是可以用電流產生磁力的裝置,屬非永久磁鐵,我使用的規格是推拉電磁鐵,可以產生一個垂直或水平的移動,多用在自動生產線上。這個材料在2019年的個展首次使用,利用電壓的變化來控制電磁鐵產生一個動態,進而去敲擊材料,在嘗試的過程中,觀察到了一個有意思的操作,我使用電磁鐵的方法其實並不正確,在實驗的過程中,我將其中一個螺絲拿掉,使得裡面的金屬管可以彈跳的更高,這樣的操作使我可以更自由的控制電磁的起伏的高度,有時候只是一個微微的晃動,可能暗示著什麼意義,或者就是一個跳動的狀態而已。
《Kick#1 - 電磁鐵》強化了誤用狀態,我將電磁鐵安排在一個很密集的範圍內,並安排不敲級任何物件,這個材料本身就會製造一種雜音,我放大了這個材料的狀態,並嘗試用這個狀態發展完成作品的長度,像是編曲的概念。
Electromagnets are used in the works. They are devices that can make electric current generate magnetic force, and are non-permanent magnets. The specification I use is Push-Pull Solenoid, which is commonly used in automatic production lines, and can produce a vertical or horizontal movement. This material was used for the first time in a solo exhibition in 2019. The change of voltage was used to control the electromagnet to generate a dynamic state, and then the material was struck. During the trial, an interesting operation was observed. Actually, my method of using electromagnet is not correct. During the experiment, I took off one of the screws, so that the metal tube inside can bounce higher. This kind of operation allows me to control the fluctuation height of the electromagnetic wave more freely. Sometimes it's just a slight shaking, which may indicate something, or it's just a beating state.
“Kick #1- Electromagnet” strengthens the misuse state. I located the electromagnet in a very dense range and arranged not to hit anything. The material itself will make a noise. I enlarge the state of the material and try to use it to develop the length of the finished work, such as the concept of song composition.